Artist Of The Week: Big Joe Turner

Big Joe Turner may have left Kansas City at his peak, but there is no doubt that his heart was always in KC. Big Joe became a legend performing down on Vine Street. His performances at the Sunset Club were legendary. It is said that before the show Big Joe, who was also the bartender would step outside the club and start to sing. Hs voice was so loud that everyone on the strip could hear him sing, and knew to start heading down to the club to hear him and piano man, "Roll'em" Pete Johnson. Big Joe had a lot of success in R&B, and jump blues, but later on he also had hits during the Rock & Roll era. To watch Big Joe in action just check out the videos on the left side of the blog powered by Youtube.

Albert King And Stevie Ray Vaungh: Texas Flood

I don't know if I posted this one before or if it is one of the 100 or so that I deleted, but it is good enough to post again:-) This is an awesome video that shows just how great Stevie and Albert were together. I think the way Stevie let the master play guitar and didn't try to show him up was what made Stevie Ray so good. I saw another blues guitarist play with Albert once, and he smoked Albert, and to be honest it made me mad. You need to respect your elders not cut their heads. I have never understood that attitude among musicians, and to be honest real bluesmen don't cut heads. That is what rock guitarist do:-)

Stevie Ray Vaughan & Albert King
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Henry Townsend And The Last Of The Great Mississippi Delta Bluesmen

Received this via email from Lynn Orman it is an article written by Scott Shuman

Henry Townsend and The Last Of The Great Mississippi Delta Bluesmen

I met Henry Townsend backstage at the Belleville Illinois Folk Festival in earl 1975

I had the chance to pickup a a guitar there , and play a few licks,and I remember Henry listening and saying" I hear You!". I asked this very sophisticated looking Bluesman, If I could play guitars with him sometime,and he replied:"What are you doing tomorrow?" I went to see Henry the next day at his home on Kings Highway in St Louis ,and we became best of friends from then on. I moved to St louis in June of 75 and began the education of a lifetime

Henry had a recording studio in his basement and we'd spend late nights recording and jamming with some of the best musicians in St Louis .That's really where I learned about sound and how to play on a recording session. Henry used to tell me " Scotty, you're just like a cat. You learn a trick one day and can't remember it the next" .He was a hard teacher for the close group of us that he mentored . Thats how you knew he was invested in you -When he just wouldn't cut you any slack-.

Out of everything that I learned from Henry, it was not as much about the music but about how to carry your self , how to be aware of things around you, and to stand up for yourself and live with integrity. He was like our Zen master-constantly teaching and training and preparing us for our careers as musicians-

Henry and I made a lot of recordings together and when I started my studio in Virginia ,he would come out and record when he visited the east coast. In 1998 I was travelling with My own Blues band, and made a decision to drop that, and spend more of the time I had to play music with Henry. He was pushing 90 at the time , and I really wanted to be with him as much as possible in his late years We played in Atlanta , Memphis , Kansas city , Davenport at the Chicago Blues festivals and just all over the mid west.

We had worked up a couple of 3 part grooves playing guitars late at night in his kitchen in St Louis that he really wanted to record.,. He came into my Falls Chuch studio in early 1999 , to do that. Every Label he recorded with insisted that it be "Authentic" and cut live ,. but Henry wanted to overdub and multi track and add drums and things like a chorused guitars played through a rotating lesley speaker cabinet- ..He tried to branch out into more creative recordings and stretch his wings, and he really wanted to use anything that he could create a cool and different sound

On "The Last Of The Great Mississippi Delta Bluesmen" we performed a track called "It's Got to End Somewhere"that's the type of layered groove that he was trying to record in the late part of his carreer. Producers would always try to lock him into recreating what he did in 1931 and he was just itching to try something new and different. He was the most innovative musician that I ever worked with, and it's that side of his recording legacy that was fairly unknown

. We mixed the Grammy winning CD in early 2006 from the live recording that was made in Dallas I spoke with Henry at length about the record, and sent him test copies of the CD that he critiqued with his amazing ears .This is a guy that recorded in 9 decades ,and when he a had a comment about something , believe me, we all listened! At the age of 95 Henry's hearing was still extremely acute and he would catch little things that we would sometimes miss.He would say :"you know there's this little scratchy thing at the beginning of the third track that don't sound right", or "the last couple of songs sound a little thin -Can you warm that up a little bit.?"

Paul Grupp who's my good friend and recording Guru from LA set up the initial EQ' for the CD .We then put together the sound design to create a live feel for the Majestic theater in Dallas where the recording was made. Paul is probably the best engineer anywhere , particularly when it come to precise EQ ,and he really put his Mojo into this record.

The day we started mixing and selecting the tracks , we were in awe of the fact that the 4 artists on the CD were the "Board of directors " of the Blues .I remember that evening I called Henry in St Louis to tell him that we were going to get a Grammy for this record. -I knew it!

Henry's health was starting to fail and the more that we got into creating the CD,the more that I felt that this was a way to Honor him,and get him the recognition that he never quite received .It was partly my way of saying "thank you" to my best friend and mentor and to honor his legacy and punctuate his career.

In late 2006 I flew to st Louis to go out on a gig in Wisconsin with Henry.
When I arrived, he had just been released from the hospital suffering from on ongoing heart problem. The doctors had forbid him to travel and said that if he went on the road he would not survive

Well, they had said the exact same thing to Henry in 2005 when we flew to Texas to perform for the "The Last Of The Great Delta Bluesmen",, so he just didn't put too much stock in what the doctors had to say.

I remembered that we talked about the trip to Wisconsin at the time ,and I suggested that we just Hang out in St Louis and cancel the Gig. Henry replied that he" had to leave this earth sometime, and he would rather be on his way to a gig doing what he loved to do than laying around in the bed waiting to die." So we honored his wishes and hit the road on that October Friday morning.

We went to the festival grounds and checked out the stage setup the day before the performance was scheduled. Henry never got a chance to perform that last time in Grafton Wisconsin, where his recording carreer began in 1929.

My friend Henry Townsend died with his boots on

I miss him everyday ,but know that his legacy was profound, and every time I pick up the guitar I can feel his presence. When we went to Los Angeles with our Grammy nomination in hand, I had a sense of purpose. We were there to hit the mark as a final victory for my friend Henry

** Scott Shuman is a member of the Recording Academy

**Scot produced for "The Last Of The Great Mississippi Delta Blues men, with Jeff Dyson of the Blueshoe Project

**Scott mixed and mastered the album with Paul Grupp at Shuman Recording studios in Falls Church Va www.shumanrecording.com

Scott Played guitar on 5 tracks on the album and performed and toured , recorded with Henry Townsend from 1975-2006

**Scott is a mastering engineer for Time Life Music and works closely with them, and all the major Record Labels

Scott is currently mastering the "50th Anniversary of Motown Records" collection for Time Life /Universal

**Scott in addition to being a Recording and Mixing engineer directs and produces music television programs for Commonwealth Broadcasting corporation

**He is the creator of "BBs Presents: The Best Of the Blues "

which is distributed to MHz Worrldview to pbs affiliates nationally

**Scott started www.FrontRowMusic.tv with BBC producer Robin Mudge

which creates Music Television for broadcsters, and produces DVDs,music videos in High Definition and distributes and downloads live music performances via the internet www.frontrowmusic.tv

**Scott has appeared on the Pacifica network and other radio stations in the United States and has traveled extensively with the Front Row music production crew documenting and filming live music performances

**He traveled and performed exstensively with, Henry Townsend ,until the legendary performers recent death while on the road in Grafton Wisconsin at the age of 96 He has worked closely with the noted recording engineer and LA based producer Paul Grupp, and has performed in Atlanta, Mississippi, Memphis , Dallas and throughout the east coast and midwest

**Scott is currently mastering the 50th Anniversary of Motown Collection for Time Life Music producing music video performances in 5.1 surround sound, and recording weekly Bluegrass and roots music performances in West Va,.

He currently resides in Falls Church Virginia.

SCOTT HAS WORKED WITH:

Beausoleil, Bela Fleck , BR 549, Bela Velosa, Chic Correa and The Electric Band, Cliff Hardin , Tbe Bottlerockets,Mariane Montalvo, The Holmes Brothers, Tingsted and Rhumbel, Sweet Honey In The Rock, Roy Carrier, , Michael Burks, Bugs Henderson, Eric Scott, Shane Hines and the Trance, Olabelle, First Rays, The Pie tasters, Bela Velosa, Leaving Texas, Robert Lighthouse, Tinsmith, Mike Thornton, Radio Mosaic John Hammond Jr., Berelli Lagrene , Jim Byrnes, The Big Bamou, Alvin Jett & the Phat Noize Band , Robert Jr Lockwood, Gay Abidigola , Darrel Scott, Kate Campell , Henry Townsend, Pinetop Perkins, Sqeeze Bayou, Honeyboy Edwards , Sue Richards, Sharon

Knowles, Iona, Carbon Leaf, Mancino, Sivercloud, Big Jack Johnson, June Maxim, Mike Mays, Eddie O, Jeffrey Cain,Rob Thorworth, Mike Johns, James Manion, Eli Cook, Maches Tres, Juniper Lane, , Patent Pending, Los Hombres Callientes, Bill Heid, John Trupp, Robyn Helzner,The Irish Breakfast Band, The Brindley Brothers, The Washington Social Club Wellbuilt , Jim Stephenson, Michael Burks and a long list of national and internationally renown artists.

Photos, Interview Opportunities, b-roll available upon request

Contact: Lynn Orman at 847-452-6469

Elvin Bishop, Pinetop Perkins, and Little Smoky Smothers

A very cool video of interviews and conversations with Elvin Bishop, Pinetop Perkins, and Smoky Smothers. This is a great video that you really need to watch. Also Elvin briefly lived in Red Oak Iowa, although from his accent you wouldn't think so:-)

Joe Louis Walker, and Gatemouth Brown

Nice TV appearance of Joe Louis Walker, with the late great Gatemouth Brown.

Cephas And Wiggins Interview

A medium length interview with Cephas and Wiggins from the Free Lance Star of Fredericksburg Virginia. They will be performing at the Smithsonian Folklife Festival. The above link will lead to tons of more links and information about the festival, but the basic info about the festival, and Cephas and Wiggins comes from the Free Lance Star below:

What: Cephas and Wiggins will perform during the Smithsonian Folklife Festival Where: National Mall, Washington When: Wednesday, 1 p.m. Cost: Free Phone: 202/633-1000 Web: folklife.si.edu/festival/2007 FYI: The festival runs from June 27 to July 1 and from July 4 to July 8. It is open daily from 11 a.m. to 5:30 p.m., with evening events at 6 p.m.

Hound Dog Taylor And Little Walter

Apparently this is the only video of Little Walter, and it is certainly one of the few good films of Hound Dog Taylor.

Hound Dog Taylor & Little Walter
Uploaded by soulpatrol

Rick Estrin Interview

Check out this interview with Rick Estrin of Little Charlie and The Night Cats from the South Bend Tribune. I haven't seen these guys in years. They used to play Des Moines and Kansas City a lot, and I use to catch a lot of their shows, but living up here in the hinter land it is hard to keep up with whats going on in Des Moines. Anyway, to check out the article Click here.

Keb Mo and Corey Harris: Sweet Home Chicago

Keb Mo and Corey Harris, doing Robert Johnson's version of Sweet Home Chicago. Including the reference to Des Moines Iowa!!!!!!!!!! I can just imagine Robert down on the corner of 12th and Center playing and singing the blues, and trying to stay one step ahead of the Des Moines police who disliked busking. Of course today there is nothing there but a street sign:-(

Ronnie Baker Brooks Interview

Ronnie Baker Brooks the son of Lonnie Brooks carries on the blues tradition. Here is an article from the Times Bulletin, from Van Wert, Ohio about Ronnie Baker Brooks. This goes back to what I wrote about several weeks ago, about how many people think that the blues is dying. I assume they are young, because the blues has always seemed like it was dying, and then boom it is back bigger and badder than ever. People like Lonnie and his son Ronnie keep the blues alive and well. The idea that the blues is dying is really laughable. Looking at all the blues fest going on and it is easy to see that the music is going on. There might not be as many bar gigs as there were ten years ago, but bar owners will eventually see that booking the blues brings in the money. You can only do karaoke, and DJs for so long before bar patrons start to get bored. All I can say is bring back the blues!

Photo Of The Week: Jimmy Pryor Plays Piano

This weeks picture was taken back in 1999 when me and Jimmy were running the jam at the Hull Ave Lounge. Sometimes between sets Jimmy would go up and play piano and sing. Mostly he did simple chords and sang older country tunes. We had a lot of fun at the Hull Ave, and thanks to Jimmy a lot of the older blues cats came out of retirement to play with him. I remember Willis Dobbins showing up at the Hull Ave one night. Willis was a brilliant man. He had previously worked for the State Of Iowa setting up GED exams. Unfortunately when I first met him he was just starting to go downhill with the ravages of Alzheimer's. However, Jimmy had seen him come into the Hull, and encouraged us to get him on stage. Willis who at that time was rather shy, and quite sang a couple of beautiful blues ballads and brought down the house. Willis performed with us a few times over the next year, and was inducted in the first class of the Iowa Hall of Fame. However, his health has declined over the years.

Corkey Siegel At 60.

The South Bend Tribune has an article about CorkeySiegel, who at 60 is busier than ever. Siegel came to prominence as part of the Chicago blues duo, Siegel, and Schwall. He is currently working on blues chamber music, with classical instrumentation. The interview covers what he is doing now, but also touches on what he has done over the past 50 years.

Spoonful

Kenny Wayne Shepherd, and Hubert Sumlin on guitar. I dont know who is singing and playing harp. This is an Howling Wolf song, although I believe it was written by Willie Dixon, and influenced by Charlie Pattons Spoonful blues.

Willie Dixon Nervous

This is an hilarious song by Willie Dixon called Nervous. Willie wrote a ton of songs for chess recording artists including Muddy Waters, Howling Wolf, Koko Taylor, and a host of others. Playing Piano for Willie is Memphis Slim, and Jump Jackson on the drums.

Willie Dixon Nervous
Uploaded by oublierleracismeskyblog

Delbert McClinton Interview And History

From the Metro Spirit in Augusta Georgia, comes a fine interview about Delbert McClinton. They cover his early days, to the legend that he taught John Lennon how to play harmonica on Love Me Do. Very nice article. Also he is appearing Saturday May 12th at the Blind Willie McTell Blues Fest in Thomson Georgia.