|          Gary     Moore - Bad For You Baby         Eagle Records         www.gary-moore.com     11 songs; 55:33; Suggested     Style: Rock Blues     Your mission, should you decide to     accept it, is to qualify that which can not be qualified, to     quantify the unquantifiable, and to logically explain emotion. Now,     that is Mission Impossible! But, that is often the job of a record     reviewer. These thoughts crossed my mind as I was trying to decide     how to explain why I have always liked Gary Moore’s Rock Blues     music.     First, I should mention that “Bad For     You Baby” is one of the six nominees for a Blues Music Award in the     new category for 2008, “Rock Blues Album of the Year.” So, according     to purists, the CD shouldn’t be liked at all since it is “Rock.” For     the most part, Moore plays Rock Blues without the insipid string     shredding that turns off so many blues fans.     I must confess that my enjoyment of the     album rests on emotion; there is little logic involved. Simple     explanation: Gary Moore is the best of the best when it comes to     playing slow blues. His blues-natural-vocals plus guitar string     bending, note stretching sustain, and creative phrasing have been     consistently great over his recorded career. Proof here is found in     three particular numbers, Al Kooper’s “I Love You More Than You will     Ever Know” and Moore originals “Did You Ever Feel Lonely” and the     nine-minute-plus album closer “Trouble Ain’t Far Behind.” Moore’s     solo in “Trouble...” doesn’t just visit the stratosphere, he stays     there for five full minutes. Who knew there were so many different     high, sweet treble notes at the zenith of the scale?     When it comes to an up tempo number,     who could ever beat Johnny Winter’s slide guitar masterpiece     recording of J.B. Lenoir’s “Mojo Boogie?” Well, Moore gives it an     admirable stab and comes close to Winter’s version. The energy is     there, the vocals solid, and the slide guitar marvelous.     Kicking off with the title track, Moore     launches into the CD with ferocious energy. Sam Kelly drums, Vic     Martin adds keyboards, and Pete Rees is the bassist. The song ends     with ten seconds of sonic feedback and overload that, sadly, might     end the listening session for marginal fans.     The second number, “Down The Line,” is     played at breakneck speed with plenty of fretboard fireworks, and     the guitar solo is wonderful with deft finger picking, not power     chord strumming.     Just skip the third number, “Umbrella     Man;” it is a plodding cut with a shredded solo lacking originality.         Cut four, “Holding On,” gives us a nice     taste of Moore’s soulful side, especially on vocals.      Track five is an up tempo shuffle that     really burns. Muddy Waters’ “Walkin’ Thru The Park” is where this CD     begins to truly separate itself from the mundane pack to earn its     BMA nomination. Track five’s pace is also the perfect set up for the     afore-mentioned slow blues number penned by Kooper. Moore later     covers in great style one more Muddy number, “Someday Baby.”     Otis Taylor and daughter Cassie guest     respectively on banjo and vocals on “Preacher Man Blues” in which     Moore shares more of his considerable harmonica skills.     With at least 33 albums to his credit,     Gary Moore is acknowledged as one of the finest musicians that the     British Isles has ever produced. Born in Belfast, Northern Ireland,     on April 4th 1952, he was turned on to rock and roll first through     hearing Elvis Presley, and then via The Beatles. Seeing the likes of     Jimi Hendrix and John Mayall's Bluesbreakers in his hometown opened     up to him the rich world of The Blues. Soon thereafter, he was     hailed as a teen musical prodigy beginning an amazing music career     that dates back to the 1960s.     If you are a fan of Rock Blues, then     you’ll love this CD. If you, like me, have Rock and Roll roots, then     I think you will dig it, too. Marginal fans willing to experiment     should just start with track five, and there they’ll find the gold     nuggets that garnered the BMA nomination.         Reviewer James “Skyy Dobro” Walker is     a noted Blues writer, DJ and Blues Blast contributor. His weekly     radio show “Friends of the Blues” can be heard each Thursday from     4:30 – 6:00pm on WKCC 91.1 FM in Kankakee, IL     For other reviews and interviews on     our website         CLICK HERE. |