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The Iowa Blues Showcase is on the AIR
Monday, August 15, 2011
Brian Less: Honkey Cat
Tuesday, March 22, 2011
Pinetop Perkins RIP
From Bob Corritore
- RIP Pinetop Perkins July 7, 1915 to March 21, 2011. Nobody can live forever, but for a period of time in his long life of 97 years, the legendary Pinetop Perkins made us think it was possible. It is with tears that we say goodbye to one of the most loved and highly respected blues musicians of our time. Pinetop Perkins died today of heart failure at his home in Austin, Texas. We know that Pinetop led a rich and happy life, and that he understood the simple pleasures, which he enjoyed everyday. Pinetop Perkins was born in Belzoni, Mississippi. He began his career as a guitarist, but then injured the tendons in his left arm in a fight with a choir-girl in Helena, Arkansas. Unable to play guitar, Pinetop switched to the piano. He got his moniker from playing the popular "Pinetop's Boogie Woogie", a 1928 hit by pianist Pinetop Smith.Pinetop accompanied Sonny Boy Williamson II on the Helena based radio program King Biscuit Time on KFFA. He worked with Robert Nighthawk, accompanying him on the 1950 Aristocrat recording of "Jackson Town Gal". In the 1950s, Perkins joined Earl Hooker's band and began touring, stopping to record "Pinetop's Boogie Woogie" at Sam Phillips' studio in Memphis, Tennessee. Pinetop was a major influence on the young Ike Turner, whom he taught piano. Pinetop joined the Muddy Waters Band in 1969, replacingOtis Spann, and playing in the band for over a decade. It is from his time with Muddy that Pinetop became a well known name in the blues. Pinetop would leave Muddy's band with other band members to form The Legendary Blues Band before restarting his solo career. Along the way, Pinetop was helped by the confident direction provided by manager Patricia Morgan, who was a tireless and diplomatic advocate. Pinetop won three Grammy Awards, and so many Handy Awards that he gracefully took himself out of the running by changing the piano category award to his namesake. Though he rose to the highest of stature, Pinetop was always very accessible and appeared on numerous albums, and projects. He remained active, healthy and happy until the end, even with a daily habit of cigarettes, and McDonald's (double mac with cheese, medium sprite, and an apple pie). He spent his 97th birthday flying to Spain to play a blues festival, and this year he won his third Grammy for "Best Traditional Blues album" for Joined At The Hip, his collaboration with Willie "Big Eyes" Smith on the Telarc label. We should also mention Barry Nowlin,Michael Freeman, Bob Margolin, Hugh Southard of Blue Mountain Artists, Onnie Heaney, Little Frank Krakowski, Bob Stroger, Diunna Greenleaf, and Pete Carlson for their support roles in Pinetop's life. We will miss Pinetop's distinctive voice and his elegant, interactive piano style. He has touched all of us with his charm, his talent, and his loving approach to life. Though we hate to say goodbye, we have to be thankful for the great joy that he brought us. God bless you Pinetop. To see some great photos of Pinetop Perkins click here, and here
UPDATE FROM BOB CORRITORE
Pinetop Perkins obit correction and funeral information. Please note that in our Pinetop Perkins obituary we listed the wrong birth year. Pinetop was born in 1913, not 1915 as we mistakenly stated. Pinetop's funeral information is as follows:Visitation
Sunday, March 27, 2011 - 3:00pm - 5:00pm
Cook-Walden Funeral Home
6100 North Lamar Blvd., Austin, Texas 78752
512-454-5611
Funeral Service
Monday, March 28, 2011 - 5:00pm
Colonial Chapel of Cook-Walden Funeral Home
6100 North Lamar Blvd., Austin, Texas 78752
512-454-5611Celebration of LifeMonday, March 28, 2011 - 8:00PM
Antone's Blues Club
213 W 5th St
Austin, TX 78701Burial services will be on Saturday, April 2, 2011 in Clarksdale, MS.
Details are still being finalized.
Sunday, August 23, 2009
Mitch Woods: Shake Rattle And Roll
Thursday, December 18, 2008
Ray Charles, Jerry Lee Lewis, And Fats Domino: Piano Jam
Tuesday, November 25, 2008
Daniel Paterock: Super Haste
Friday, June 13, 2008
Meade Lux Lewis: Honky Tonk Train
Sunday, May 11, 2008
Thursday, April 17, 2008
Jason Williams: It Ill Be Me
Friday, March 28, 2008
Chase Garret Update!
Sunday, February 3, 2008
Artist Of The Week: Pinetop Perkins

Friday, February 1, 2008
Pinetop Perkins: Wee Wee Hours
Daryl Davis: Beat Me Daddy 8 To The Bar
Monday, October 15, 2007
Martha Davis: Martha's Boogie
Thursday, October 4, 2007
More On Blues And Boogie In Detroit.

An interesting interview with the founder of the Motor City Blues and Boogie Woogie Festival. American Music Research Foundation president Ron Harwood talks about Boogie Woogie. Its difference from the blues, and the rise and fall of the art form. It is interesting to read, and I realize that I need to study the topic a little more, since I assumed that Boogie Woogie was part of blues. Harwood, an ethnomusicologist, states that:
Boogie-woogie, first recorded in the 1920s, was a progenitor of rock 'n' roll and eventually was surpassed by the popular musical form. "People stopped calling it boogie-woogie in the late '40s and early '50s because it sort of had gone past its prime, and the eight-to-the-bar rhythm was changing from a piano left hand to an electric bass," says Harwood. "In the mid-'40s after the war, blacks came back from the war, and some of the newer forms of jazz were beginning, and jazz became a black intellectual music. And when that happened it became taboo for black artists to play boogie-woogie. It died very quickly.To read the article in total from the Detroit Free Press, Click HERE."Boogie is meaningful to me because we needed to get guys like Sugar Chile Robinson interviewed. Because it became such a taboo music, a lot of these boogie players just retired, or went to playing lounge music. A lot of them toured in vaudeville. They backed up blues musicians like Muddy Waters. Pinetop Perkins was Muddy's piano player and he was essentially a boogie player.
"So we're just trying to catch these boogie guys, pay justice to that music, understand that it was the foundation of rock 'n' roll."
Wednesday, October 3, 2007
Friday, September 28, 2007
Chase Garrett - Cincinnati Boogie
This is an Iowa kid who knows how to boogie! I really like the kids chops! He also has a great bass player, Nick Lloyd. I remember Nick when he was playing solo delta guitar at my jam at the Raccoon River Brewery. Way to go guys! You do Iowa proud!!