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Showing posts with label Charlie musselwhite. Show all posts
Showing posts with label Charlie musselwhite. Show all posts

Friday, November 27, 2009

Phucket Blues And Rock Festival 2010


Just got an email from a new reader to the blog who reminded me that the blues is alive and well in Thailand. Charlie Musselwhite headlines the show, which is a good thing. I don't know how many blues festivals I have seen lately where a burned out dinosaur rock band has headlined a festival. Charlie is the real deal as we say. He learned at the feet of the masters in Chicago and has played the blues the way it is suppose to be played.

To check out the website especially those of you in SE Asia, and Australia who will make the trek (Click Here for website)

A special thanks for the hot tip to Ed Martin. Thanks Ed.

Thursday, September 13, 2007

Charlie Musselwhite: Gone To Long

Charlie Musselwhite from 2006. Hey Birmingham don't miss this guy tomorrow, or the next day!!!


Charlie Musselwhite Interveiw


Here is a good interview with legendary blues harpman, Charlie Musselwhite. It is in the Birmingham Weekly. Musselwhite will perform two shows September 14 and 15th at the Hoover library in Birmingham Alabama. To read the interview Click HERE.

Thursday, April 19, 2007

Charlie Musselwhite Says Hey, Hey, The Blues Are Alright


Nice article about Charlie Musselwhite and his take on the current blues scene. I really liked what he had to say about Chicago in the early 60s. Charlie was part of a group of young white musicians who would go to the blues clubs on the south side of Chicago. That group would include Mike Bloomfield, Paul Butterfield, Charlie Musslwhite, and of course Des Moines own Chicago Rick Lussie. It is true that as the 60s grew on fewer, and fewer, young African Americans listened to the blues. Soul, Motown, and later Funk and Disco, drove many young urban African Americans away from the blues. In many ways Blues was a lot like Country music. Its popularity among younger African Americans was by the 60s and 70s mostly in the rural deep south. Also I think it is important to note that many people assume that the British saved the blues in the 60s. However, if you look at the number of American artists like Bloomfield, Butterfield, Musselwhite, Steve Kats, Al Kooper, and others. Plus, bands that played on the edges of blues, like the Doors, Janis Joplin, Jimmi Hendrix, The Greatful Dead, ETC, then the argument that the British saved the blues makes about as much sense as the argument that the French saved Jazz, and trust me they really think they saved jazz!!!